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Ahoy, squirts! Quint here with some early, early reviews for you. They did a test screening of Michael Mann's period gangster flick in Oregon last night and we had two people in the audience who want to tell ya' about the experience.
To say I'm looking forward to this flick is an understatement. I love gangster stories and Dillinger in particular is a fascinating character.
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Hey folks, Harry here... Up front a warning - MacGuyver states at the end of his review that you should probably skip the review and just see the film when it comes out. But he does say it is better than ALI & MIAMI VICE in its current form, though not at the classic status of Mann's LAST OF THE MOHICANS or HEAT. Of course - he is also saying that when the film he saw didn't have a real score in place, wasn't color timed, didn't have much of its finished digital trickery in place - and was an initial loose edit at two hours and 40 minutes.
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Ahoy, squirts! Quint here. Billy Crudup has landed a role in the currently filming depression-era gangster pic being directed by Michael Mann called PUBLIC ENEMIES. He will be FBI director J. Edgar Hoover. Interesting... I wonder how Crudup looks in high heels?
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Ahoy, squirt! Quint here. You know the project... gangster flick with Depp as Dillinger, directed by Michael Mann. It's shooting now and we had a spy on the ground in Wisconsin that got some great pics of a robbery. So, thanks to "Spider-Durch" for getting the below pics.
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Ahoy, squirts! Quint here. Christian Bale and Johnny Depp are already locked in to star in Michael Mann's depression-era gangster tale PUBLIC ENEMIES and now the gang's starting to fill out.
David Wenham (LOTR, 300... this guy's turning into quite the character actor) will play Pete Pierpont, a violent member of Dillinger (Depp)'s crew and Stephen Graham (SNATCH, THIS IS ENGLAND) will play Baby Face Nelson.
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Ahoy, squirts! Quint here. I posted a story a few weeks back about Johnny Depp being cast as John Dillinger in an upcoming period crime drama called PUBLIC ENEMIES, being directed by none other than Michael Mann.
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